ON THE ABSENCE OF TREES
by Matthew Roberts
On the Absence of Trees
How could I blame you, dear father?
Your father leaving you when
you were just fifteen.
I think about
this when pondering
my own adolescence:
hours spent
waiting in waiting
rooms just waiting to
be seen,
seen surrounded by
outdated sports
magazines with
illustrations of what
it takes to be a champion.
When I stop and think of grandad, all I recollect are nicotine-licked fingertips pressed against a
plastic Camel filter.
Tar scarred lungs drag out time into an anthracitic laughter.
Sometimes, I envision the enkindled mass of his half-lit cigarette drops and turns to dander on the collar of his sky-blue striped polo.
(I saw him wear it in a picture that you kept in a shoeshine box made of cedar on the top shelf of the closet in your home office…)
And sometimes, I listen to the western wind that sweeps across the prairie where I live and call to mind the only day he visited the house that I grew up in.
It was summer.
I was much younger.
Could such wind, now older, have swept that cinder off his shirt and sent it eastward to where his
ancestors once lived before some of them came to America in the late nineteenth century and settled
in the Ohio River valley?
Or would that orphaned ash combust as when a nebula begets a lutescent star or kills it?
Maybe nothing happens. I don’t know.
Because of this, (and pinned to the Still, I hold onto the
I wonder what it portrait was a story that he told
must have been medal he earned for me one early
like for him when serving during the afternoon as we
as an infant his late spring of sat on the front
father left him 1944. stoop below your
without food or Underneath the bedroom window.
shelter. And how picture were a few He said it was
he would come to loose papers that because he had flat
find a home with mentioned factories in feet, as I do, that he
families surnamed Pennsylvania and a petitioned to be an
Steele and Roberts: mother. First army doctor. Though
proper sounds, name: unknown. Last years later when I
adopted, reek of name: sounding retold the tale, you
something taken. foreign…) said it was not true.
And now when I look And now I know And now each autumn
back at the shameful we could not face evening, as the eastern wind
glance that I would what we could not bellows through the cedar
cast toward my worn handle. I believe that it deck behind my home,
sneakers as the medical is for this reason that I sit in a wrought iron
specialist examined you told me of the chair and admire the razor
me for signs of puberty persimmon tree and how straight horizon. Neither
thought I was not born it made for the finest leaf nor branch interrupts
to be a man, and that fairway woods and the monarch sky as it
I wished you would drivers. On my fifteenth departs into the majesty
Comfort me after it was birthday you handed of twilight. Then I consider
over, I stop and think me a rusted club made the persimmon tree and
how your father’s from its resistant timbre. how it often produces
past could cut A gift from your late father fruit that’s too astringent
you in two pieces. now for me to carry. to consume all on its own.
At the end of each winder, farmers set fire to the fields behind my house.
(as the wind,
(the wind…)
The first time I saw that dirt burn, I thought I heard a young boy screaming.
But I don’t know.
(maybe nothing
happened.)
About the author
Matthew Roberts is Assistant Professor and Librarian for Literature and Languages at the University of Illinois at Urbana-Champaign. He earned a PhD in Comparative Literature from Emory University. His scholarly publications examine the theatrical representation of trauma and appear in several journals, including Comparative Drama, Modern Drama, and New Theatre Quarterly. He is the editor of the Harold Pinter Review and an alumnus of the 2022 Community of Writers Poetry Workshop.