A Very Distinct Corner of a Flooding Home
by Joan Tate
Sags, and so Farewell to dryness,
Farewell to need the distinct corner, in the basement, becoming
hunger describes an aquarium of empty,
so poorly, the snows fluid somnolence interspersed
of the last new year with belts like eels, Roy Orbinson records,
only making cold a blind moray like
through gaps in memory, gaps a baseball bat, sealed jar of spent and snapped
I’m ashamed of razors, a portrait of ruined Marat
this present sun only good it all is ferruginous and sticky, but
for making sweat while falling the salt water is not tears
awake, wet noises below it is the fleeting literality
wish of a space filled with polluted and thus
now natural Atlantic water, opalescent sheen
punctured by bendy straws, uncut
Farewell to sleep beer-rings, the bones and bloated
Impossible through bodies of dead and dowsed sea-critters
Salt memory, skin memory crustaceans, feathers slicked with
Preserved dry tongue oil at one point
and dryer throat coated I make my way up the stairs
the quiet flushing through the carpeted steps
white that wicks, not like cotton overtaken by salt
at all, more salt and I sit on the roof, the crests
lazily maintaining meat, lap my house, in great wide hoops
great interpretive swathes like young and pale exuberant dogs
of brown damage,
basement filled and painted
long ago, Farewell
abandoned my bailing to the day and to need
after you’d gone and the freshwater lawn
so many months later a closet and you tended
now the walls of the first flow for me and your land once
beyond sopped with rich from finding I fear
salt. My coats are now useless, I’ll never find again.
About the author
Joan Tate is a transexual, mystic, and MFA candidate at UMass Amherst's program for poets & writers. When she isn't lugging her typewriter into the graveyard across the street she can be found making strange noises, listening to strange noises, and fawning over her partner's snake, Miso Soup.