AFTER WHICH
by Matthew Roberts
there is no after
life coupled in the couplet
of memory
and forgetting
would that it
rupture open
all affect
ageless
trace of
the illegible
punctured
under
prostrating
pounding
scraping
skin
(firewide) aerating
chloroplasts (landslide)
stretched
beyond
chloroplasts
stretched
beyond all measure
punctured
couplets
of rupture
wide illegible written
under couple
under trace
all affect
of memory
and forgetting
skin stretched
beyond all
measure
there no
life would
open after fireslide (pounding
scraping)
(prostrating
aerating)
and ageless
after which
I remember thinking how it was you great-grandmother who taught 1Der schrekliche, eben jetzt
me there was no after1 who taught me that skin taken into the infernal abgelaufene Krieg hat eine grofse
machinery of violence later awakens as if terror dug its face into the present Anzahl solcher Erkrankungen
and ruptured it wide open are you awake are you listening maybe then you entstehen lassen {…}
could imagine that I would love you and that to show you I would strap myself
in an upholstered seat bolted between bolted seats all stitched with the same If trauma rises from a crisis,
upholstery and ascend into the cacophony of a mechanical black shadow that illness illegible,
passes over the earth and its infernal grandeur which reminds me of the titan immeasurable. Ageless {…}
who with twisted bridles fought each day to catch the sun and keep it and
though the story ends with a child whose descent from heaven unleashes a Bei den Kriegsneurosen wirkte es
climate crisis is not the space between two words enough to tear us into einerseits aufklarend, aber doch
prostrating protein that slides its loose limbed way into the earth and when the wierderum verwirrend dafs
dirt is spent with tenants skin punctured stretched beyond all measure are not dasselbe Krankheitsbild
the remnants captured and incinerated until there is nothing left but cinder gelgentlich ohne Mithlife einer
cinder being common to anything that burns or rather would this page survive groben mechanischen Gewalt
me and give you room to find a home for this is why I write so that you might zustande kam {…)
muscle open my imagination and give my mind what it cannot unravel though
I have tried to grasp the matter pressed my fingers into plastic keys my digits For instance, as with war
turned into digitized chisels and rock hammers with these tools I cosigned my neurosis: bodies taken into
history into the electrocuted light of online ancestral registries but I could the infernal machinery of
not find you I could not find your family it’s just that years ago I had this dream² violence later rest on
it bewildered me for in it I heard you as you gave away a son who would upholstery and awaken with
become my father’s father and maybe this is why I hear you as I pass the the sickness. How
shadow grass that grasps a trampled path to where your family was first taken enlightening, how
and now here I am here I have landed and I am outside the concrete walls bewlindering {…}
dressed as a troubadour petrified before the forest and still I hear nothing but
what if I could reach you would you tell me what part of you is buried in me Schreck aber benennt den
for that’s the part of me that’s buried in Poland or is it arrogant to think that Zustand, in den man great, wenn
and if it is then please remember that this is but a false poet’s notice and that man in Gefar kpmmt, ohne auf
I would reach into the earth just to stain my fingers with the dirt that held your sie vorbereitet zu sein, betont das
family when it was not safe for them to sleep but no I forgot about aeration Moment der Uberraschung.
forgot about the chloroplasts stretched beyond chloroplasts stretched beyond
all measure forgot about what may have happened to those who did not make As though terror dug its face
it over the Atlantic after which did they take to the atmosphere to congregate into the trenches of the
a sacred orbit and just stay there and when the sun’s rays fall beneath the present and ruptured it wide
hemisphere does their celestial mass reflect the moonlight to contrail its glory open; impossible to notice it
across the God forsaken sky and down I look at these hands for is this not the at a moment’s notice.
place that bloomed a crimson harvest and that I would cut the petals to make
a thread a red thread to tie around cut stems and then descend into the 2Shadows made by shadows
labyrinth for this is who I am I am Ariadne I am Theseus I am Minotaur all as made by grass grasp a
one all taken together undercover and that I would trace the outline of your trampled dirt path to where
body see how I flick between finger skin and fingernail watch as I transplant they were first taken. Names
this muck into my palms cupped an inkwell into which I spit and rub to write awaken to the cacophony of
your surname Mauer fingers scraping on this rock this wall your last name mechanical black forests and
alone remains for me to hold and I would do it for I have learned that this is the camouflage of men who
why we name not so as to enumerate the world we enter but to discover what rip their way into the earth
we still have left to lose and that is what survives the body to which a sound for a chance to capture
has been ascribed the sound survives the name the sound survives the time of sunlight and its infernal
utterance when there is only rhythm rhythm pounding through the prehistoric grandeur as when the
dirt it rises rising over this slumber sodded earth can you feel it when trapped ancient titan- who with
between angled frames of stone surrounding Łódź these monoliths are my twisted bridles guides
lined pages on them I write this poem and I pray that their names return to me an equestrian machine- each
return to me unburnt so that I may look upon their unfinished silhouettes day descends onto the earth:
uncouple affect from the embers just to write a path through memory through muscled mammals needing
forgetting to find the image of myself that recollects the illegible trenches that protein trample grass to feed
shape my wrinkled face the way fingerprints prune under the enlightened shade in shadows. And here I rise
of an ocean wave must its cinerous salt be what I have left to taste of them as in these slumber sodded
when smoke takes to the clouds and it rains and rains and showers. fields of capture black as
mechanical mammals
awaken camouflaged
cacophony guiding men to descend into twisted protein
forests trampled shallow below the earth and its
infernal dirt. Would I play
the part of troubadour and
travel past horse trampled
paths that grasp at slumber
forests to sing of mammals
sodded into mechanical
cacophony? I await the
wood nymph’s answer. Is she awake? Is she listening?
Mauer, Mauer: call repeated.
Taken name awakens
concrete angles framing
fields sodded with sunglight
machines and muscled with
infernal mammals who grasp
the trampled grass and
descend into mechanical
black shadows as the twisted
protein dirt sings the earth
path back to Lodz:
Allein Allein
bodies trapped inside
bodies trapped in time
bodies trapped inside
bodies trapped in time
Allein Allein
a line outside the ghetto.
About the author
Matthew Roberts is a Chicago-based poet and the Director of the Center for Teaching and Learning at the School of the Art Institute of Chicago.